↑ Ward, John. "Disguised Symbolism as Enactive Symbolism in Van Eyck's Paintings". Artibus et Historiae, Vol. 15, No. 29 (1994), pp. 9–53
↑ Elkins, John, "On the Arnolfini Portrait and the Lucca Madonna: Did Jan van Eyck Have a Perspectival System?". The Art Bulletin, Vol. 73, No. 1 (Mar., 1991), pp. 53–62
↑ Ward, John L. "On the Mathematics of the Perspective of the "Arnolfini Portrait" and similar works of Jan van Eyck", Art Bulletin, Vol. 65, No. 4 (1983) p.680
↑ Seidel, Linda. "Jan van Eyck's Arnolfini Portrait": Business as Usual?". Critical Inquiry, Vol. 16, No. 1 (Autumn, 1989), pp. 54–86
↑ Harbison, Craig. "Sexuality and Social Standing in Arnolfini's Double Portrait". Renaissance Quarterly, Vol. 43, No. 2 (Summer, 1990), pp. 249–291
↑ Gombrich, E.H., The Story of Art, p. 180, Phaidon, 13th edn. 1982. ISBN 0-7148-1841-0
